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8 January 1836 – 25 June 1912. Most renowned painters.

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Bernardo Bellotto
Ansicht von Wien, Platz vor der Universitat, von Sudost aus gesehen, mit der groben Aula der Universitat und Jesuitenkirche

ID: 94027

Bernardo Bellotto Ansicht von Wien, Platz vor der Universitat, von Sudost aus gesehen, mit der groben Aula der Universitat und Jesuitenkirche
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Bernardo Bellotto Ansicht von Wien, Platz vor der Universitat, von Sudost aus gesehen, mit der groben Aula der Universitat und Jesuitenkirche


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Bernardo Bellotto

Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.   Related Paintings of Bernardo Bellotto :. | Das Dorf Gazzada, Blick von Sud-Ost auf die Villa Melzi d'Eril | Wien, vom Belvedere aus gesehen. | The Old Market Square in Dresden 4 | Square with the Kreuz Kirche in Dresden | Arch of Constantine |
Related Artists:
geoffrey chaucer
Born: c. 1340 Birthplace: London, England Died: 1400 Best Known As: The author of The Canterbury Tales
Master of Virgo inter Virgines
Netherlandish Painter, active 1470-1520
Carl Wilhelmson
1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop






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